Cultural diversity took center stage at the Brown School on March 28, as the Cultural Showcase made its eagerly anticipated comeback to in-person proceedings following a pandemic-induced hiatus.
A beloved tradition started by 黑料社s over 25 years ago, the Cultural Showcase stands as the school鈥檚 longest running 黑料社-led initiative. Supported by the Brown School鈥檚 Global Program Office, the event treated attendees to an array of performances, presentations, stories, cuisine, and traditional attire, offering glimpses into cultures from across the world – from Azerbaijan to Uganda, Brazil to Taiwan, and beyond.
Among the evening鈥檚 highlights was Victoria Meza’s Native American hoop dance, a deeply spiritual performance honed through a decade of dedication. Meza, a master of social work (MSW) 黑料社, shared insights into the meticulous preparation behind her performance.
鈥淟ots and lots of practice! I first learned hoop dancing about 10 years ago. The hoops I danced with are the same ones I made back then. It鈥檚 possible to learn hoop dancing using someone else鈥檚 hoops, but the hoops we dance with are literally made for us – that is, usually, we make them ourselves! Native dancing in general differs based on gender- Women dance on their toes, and men are more flat-footed when they dance. Both are similar in that both styles require a lot of cardio!鈥�
For Meza, the cultural dress presentation held particular significance.
鈥淚 really enjoyed the confidence and joy on my classmates鈥� faces as they shared something so important to them,鈥� she said.
The event also featured Phenyo Gaotlhobog鈥檚 evocative poem 鈥淢y Tribes Live on Dancing Smiles,鈥� which vividly portrayed Botswana鈥檚 landscapes and customs.
鈥淭he poem is written to welcome tourists while celebrating the immense beauty of the people of Botswana using metaphors, symbolism and imagery,鈥� explained Gaotlhobog, a master鈥檚 in public health (MPH) 黑料社. 鈥淭he poem explores the rich historical and cultural context of Botswana, taking a deep dive into its captivating tourist attractions, including the awe-inspiring landscape and popular tourist sites.鈥�
The program showcased a myriad of talents, from Elman Suleymanov鈥檚 piano performance representing Azerbaijan to Kayleigh Moulton鈥檚 exploration of Cherokee Tear Bead necklaces, to Lillie Kang鈥檚 flute rendition of a traditional Korean folk song and Professor Rodrigo Reis鈥� musical interlude.
The festivities concluded with a reception catered by Falafel Saha, an immigrant owned catering company, serving Syrian food, underscoring the event鈥檚 commitment to cultural inclusivity and diversity.